The 2019
event!

INTRODUCING THE THREE

  AMAZING PLAYWRIGHTS THIS YEAR!

The Martin Lysicrates Prize celebrates the best new Australian writing for young people.

The Lysicrates Foundation is proud to be partnering for the first time with the Australian Theatre for Young People (ATYP) and the Riverside Theatre to present The Martin Lysicrates Prize.

For school bookings for the event visit the Riverside Theatre website

WHO WILL WIN?

On August 22, 600 school kids will converge on Riverside Theatres for a unique experience of live theatre in the raw as well as an exercise of democracy in action!

They’ll watch the performance of three plays and then they will decide which play is the winner. Every vote will count as the audience members (no adults allowed) file past three urns and deposit their voting tokens in support of the play they would most like to see produced in full on an Australian stage.

If the past two years are an indication, the theatre will be electric with excitement. The audience has an investment here. Tension will mount and feet will stamp as the kids wait to hear the verdict. Which playwright will take away the prize of $15, 000 dollars to complete their play?

The event will be professionally filmed and a video made available right here on our website so that kids all over Australia can share in the fun and participate in awarding a supplementary prize – the viewers’ prize.

For teachers there’s a chance to win a special prize – two return tickets to Athens. Get involved now!

Meet our incredible playwrights!

Madelaine Nunn

UNICORN GIRL

Madelaine Nunn is an award-winning theatre-maker/ actor/ writer and the 2018/19 recipient of the ATYP Rebel Wilson Theatre Maker Scholarship.

Since graduating from the Victorian College of the Arts in 2015 Madelaine has co founded the ensemble company Three Birds Theatre, been shortlisted for the Rodney Seaborn Playwrights Award, nominated for two Green Room Awards and has toured her work throughout Victoria, NSW and the US.

With TBT she is the co-writer and performer of Enter Ophelia (La Mama, 2018) LadyCake (Poppy Seed Theatre Festival 2016) & Green Room nominated show Three Birds One Cock, (FRISK Melbourne Fringe 2015; Adelaide Fringe 2016; Metanoia 2016, RAV). Madelaine’s play, Bin Chicken, was published by Currency Press and had a produced season at Griffin Theatre Company with ATYP. Madelaine’s recent credits include, Daisy in the feature Film, Two Heads Creek (Dir. Jesse O’Brian) and Xan in the Red Stitch production of Desert 6:29pm (Dir. Bridget Balodis) which toured to China for the Wuzhen Theatre Festival.

Other credits include, 2 in The Three Graces (Dir. Katie Cawthorne), Maggie in OpticNerve’s production of The Mill on the Floss (Dir. Tanya Gerstle), Maddie in Elbow Room’s The Experiments (Dir. Marcel Dorney) Ali in Homecoming (Dir. Delaney Murphy) and Katherine in Sugar Rush.

In 2014 Madelaine received the Irene Mitchell Award for excellence in acting and in the same year she was also selected to perform at the Performance Studies International Conference 20 at the Shanghai Theatre Academy.

WHAT DO YOU LOVE

MOST ABOUT WRITING?

My favorite thing about being a writer is the chance to create lots of different characters; characters that make me laugh, make me angry, challenge me and characters that make me think outside the box. I get to delve into the minds of other people and experience the world from their perspective, imagining what they might think, feel, want, say and do. When I’m fully inside a character it’s like I don’t even have to imagine what they might say, the words just come flowing out… of course, other times, it’s not always that easy.

As a writer, I get the unique privilege of arguing with myself through the opinions of different characters and I get the chance to say all the weird and wonderful things that I think, but don’t necessarily say. Writing can be like a puzzle, with many different pieces, but once it’s put together and everything fits just the way it should it’s the greatest feeling in the world.

“…I get to delve into the minds of other people and experience the world from their perspective”

Some snaps!

Elliot Vella

IT’S A TIE

Elliot Vella is a playwright and screenwriter from Sydney. His writing path began when he completed an undergraduate degree in Creative Writing at the University of Technology Sydney. During this tenure, Elliot was lead editor of UTS’ Vertigo magazine and head producer of Vertigo TV. He was also a producer on the web series All We Have Is Now, a Louise Frequency creation.

In 2018, Elliot completed his MFA in Writing for Performance at The National Institute of Dramatic Art. During his time at NIDA, his short film script Optics was selected to be funded under the Design Course Program, and his co-written play Delta Sierra Juliet was staged under the Directors & Designers program. Delta Sierra Juliet was then picked up by 107 Projects Redfern where it was restaged earlier this year.

Elliot’s interests lie in comedies that explore environmental crisis, human relationships, and the expectations people place on one another.

WHAT DO YOU LOVE

MOST ABOUT WRITING?

There are so many benefits to being a writer, but what I like most is all the random knowledge you pick up while doing research for stories. Last year, for instance, I was co-writing a play about Frederick Valentich, an Australian pilot who was supposedly abducted by aliens. To do the story justice, I had to look into the 200 people who have gone missing around Bass Strait, the construction manual of Cessna aircrafts, and Frederick’s last words to Melbourne Air Traffic Control. Even if something you’re writing turns out to be a dud, you’ve still learnt a bunch of interesting (some would say useless) information.

Some of my favourite of these fun facts include:

  • Guinea pigs get lonely by themselves, so in Switzerland it’s illegal to own just one.
  • Hot water freezes faster than cold water.
  • The oldest known ‘your mum’ joke was found inscribed on a 3500 year old ancient Babylonian tablet.

“…all the random knowledge you pick up while doing research for stories

Some snaps!

Brendan Hogan

Play Number Four

Brendan lives and works in the tiny town of Yackandandah, where he writes primarily for young people and their families. His published works include, Scaredy-Cat (2015) and How to Beat a Bully (2016), both of which have been performed by youth groups and schools around Australia.

In 2018, he won the Martin-Lysicrates Prize for his play, Farewell, Mr Nippy, and his most recent work, The Last Boy On Earth, was presented by HotHouse Theatre (2019). Other current projects include a collaborative creative development, with the support of HotHouse Theatre’s Celsius program, exploring the true but remarkable story of The Uiver, and retelling it as an immersive piece of theatre for young people. He has written and directed shows at the Melbourne International Comedy Festival and presented at several conferences and festivals as a writer and an advocate for arts in the community.

Brendan has also created works for adults and especially enjoys collaborating with diverse community groups to develop unique and authentic theatre. He currently teaches recreational drama classes at the Flying Fruit Fly Circus, Yackandandah, and regularly writes, directs and produces shows for the youth-focused community theatre company, the Yackandandah Young Players, which he formed in 2013.

WHAT DO YOU LOVE

MOST ABOUT WRITING?

I’ve always wanted to be a writer (I still have my unauthorized rip-off of the ‘The Wizard of Oz’ that I wrote in Year 1.)
But it wasn’t until a few years ago that I worked out what kind of writer I was meant to be: a playwright for young people.

I love writing things that are funny, quirky, unexpected and a little bit naughty (just like young people). But I also like to write things that take young people seriously and challenge them, because underestimating young people is one of the biggest mistakes many parents, teachers, writers and other adults make. And the theatre is the most amazing place to do this. Where else can a group of strangers be collectively transported into any world or experience you can imagine?

The cinema.Yes, but –

Computer games. Yes, okay, but there’s something magical and immediate about theatre. When the acting, staging and other elements come together, the words and ideas that I took from my mind are expressed in a way that creates connection; an almost indefinable energy that fills a room and the people in it.

That moment is what I love the most about being a playwright.

“…creates connection; an almost indefinable energy that fills a room and the people in it

Some snaps!